Method & Materials: Solar Plate Etching, Mica Metallic Monotype
Method & Materials: Lithograph & Gold Leaf
Method: Lithograph & Monotype
In response to big companies purchasing water rights for profit in exchange for “creating jobs”. “It’s a model of exploitation and capitalism where they basically come for the natural resources to exploit them and take them away to wherever the market is,” says Galaz Duarte. “When the market grows and has to satisfy consumers, they’re going to deplete the water here. So what’s going to happen? They’re going to go to another place where there’s more water to satisfy the same market and deplete their water. They’re going to go to leave this region without the resources to live a dignified life.” NPR
Given the long list of species modern humans have deemed as invasive, I wonder why modern humans were not on this list as well. Our irresponsible consumption creates waste that threatens wildlife on land and sea. We have become a super organism, an invasive species. These six pack rings that hold cans strangle ocean life as they get ensnared in them. One Florida brewery took action against these plastic death traps and rolled out a solution to make them safer. But that is only one brewery. We need more sustainable solutions to address our waste.
This piece is in response to the current administration who wants to use tax payer money to build a wall along the Mexican border. There are better uses of tax payer money to bring “value” to this country.
The hungry ghost is a buddhist concept akin to what we may call the unchecked ego. It is a part of the self that is never satisfied and can rear its ugly head to express disappointment when the desire is not met. Since it is starving all the time to satiate desires it becomes greedy, jealous, angry, judgmental, infidel, to name a few ugly feelings and behaviors. Traditional representations of the hungry ghost depict a human like figure with a long skinny neck and big belly. I chose to depict the hungry ghost personified in a jack rabbit along side its hungry ghost.
The hungry ghost is very alive in our world today …
Method: Silk Thread, Chine Colle, Monotype
I threaded the delicate bones of cicada over a drawing of a female to suggest the revival of her life after a tragic event.
“The Cicada is an ancient polyvalent symbol: resounding themes are resurrection, immortality, and spiritual realization.”
The female in the drawing looks back to reflect upon a tragic event depicted by a car crash. I continued the thread over the car crash frames to connect the two events. The three frames are taken from a stop frame animation of a match box car crash I staged in Washington Square Park many years ago. Tragic events disrupt life similar to the way death disrupts life. We plunge into reflection, darkness, and even depression as we come to terms with the meaning of the event. It may take several years before we are repaired and resurface to continue with life anew. Just as the cicada lays dormant in the ground for seven years before returning to the surface so do we remain buried in our thoughts before climbing out of darkness to meet the light.
Along with the thread and the blood-vein like shape, there is a warm female shadow that also connects the two events. It is the soul that undergoes the spiritual transformation in the body. Here, at this moment, it could be her soul that is ready to help make the transition to return to life.
Method: Silk Thread, Chine Colle, Japanese paper, Intaglio, Monotype
Beneath the red thread dashed lines are some of the words by E. E. Cummings, Crepuscule.
“Will I complete the mystery of my flesh” are exposed in the humble male shadow behind the ribcage.
He is humble to her as she contemplates his message.
The red thread represents the potential mix of energy between the two figures. Some has already crept its way in. The yellow thread are seed-like grains.
I cut out the interior part of the oval shapes and replaced them with Japanese paper by stitching the paper along the edges of the shapes from the back. There is fragility in the open/closed membrane of the shapes.